I use a variety of digital and traditional media and tools to illustrate e.g. aquarelle and graphite pencils, ink, gouache, Photoshop and various digital tablet software such as Freeform. In the past, I’ve also used the airbrush.
The transition from ‘hands on’ to strategic design catalysed a change in how I work. I now (mostly) use my concept design and illustration skills to convey ideas, insights and principles. This includes:
stories and analogies
dramatically sketchy and almost understandable white board squiggles (coupled with physical movements to illustrate my point)
post-it notes
whatever more refined visuals are needed to communicate and achieve a mutually beneficial outcome (e.g. qualitative and quantitative data, customer journeys, context maps, frameworks).
Abstract
4 Faces (Janus) — gouache on watercolour paper
My Favourite Things — gouache on watercolour paper — inspired by listening to John Coltrane
Janus — gouache on watercolour paper — inspired by Celtic and psychedelic art — used in a 2D animation that I created called ‘Rose’Tile Number 01 — gouache on water colour paper — inspired by Art Deco, tiles in the entrances to Dutch house and Calla Lily by Emma BossonsCeltic Horses — gouache, silver pen on watercolour paper — inspired by Celtic art
For children
Let Sleeping Dogs Lie (Smooth Fox Terrier) — airbrushed ink and pencil on paper Celtic Stag — ink, airbrushed ink on paper board — inspired by Celtic art and mythologyBoy Capturing the Little Elephant — ink, airbrushed ink, colour pencil on paperboard — created for a proposed children’s bookLittle Elephants Raiding the Village — ink, airbrushed ink, colour pencil on paper board — created for a proposed children’s bookThumbnail People — graphite on paper, nails (yes), Photoshop — inspired by the infinite value of human thumbs Quetzalcoatl (The Plumed Serpent) Brings the Joy of Koko to the World — pencil and ink on paper — entered in the Koko Black Creative Drawing Competition of 2009, where the brief was to illustrate what is inside the magic eggAnd if you’re really interested in the details (I’d like to think that maybe one person is …)
In this illustration, Quetzalcoatl (The Plumed Serpent and god of chocolate) is depicted emerging from the first ripe cacao bean. As he emerges, cacao seedlings and flowers flourish. Midges descend from the sky to pollinate the flowers. In the background, chocolate temples have risen.
My entry was inspired by my fascination with the ancient art of Latin America (and with thanks to the animated series that kicked off that interest — The Mysterious Cities of Gold).
Surreal
Fire Demons — graphite on paper, Photoshop — inspired by Tibetan Buddhist iconography and psychedelic Western poster art — created for a 3D animation I created called 108Electric Medusa — airbrushed ink, gouache and pencil on paper board, Photoshop — inspired by Celtic art, Art Nouveau and psychedelic Western poster art — created for a band album cover and websiteElectric Medusa (rear) — the back cover of the above album coverHead Music — airbrushed ink, silver pen, colour pencil on watercolour paper — inspired by Celtic art, Surrealism and 1960s-1970s album covers — created for an album cover
Words + pictures
Back when the world was young and friends were posting what they ate for breakfast on a new platform that only allowed short sentences, I challenged myself to convey a story online, using pictures more than words and combining traditional and digital methods.
This work is inspired by the illustrations of Tom Seidmann-Freud [you must read vintage (analog) interactive book The Magic Boat], comic art of R. Crumb and Expressionist Edvard Munch.
Oboe and Melodeon have fun writing music togetherThey do some recordingBut they need a singerWhat to do, what to doAh hah! Oboe meets a fellow called Dulcimer, who prefers writing songs to essaysDrinking wine and beer, they talk and talkmostly about musicWe get on alrightYeah! We do some recording together Dulcimer makes friends with the microphoneMelodeon sounds good, when she’s on the right side of the keyboardwhile Oboe plays guitar with his hands and records with his feet Timpani the friendly drummer helps us out on the tracksWhile recording, Oboe (Davros) pulls everyone up for making mistakesHe cracks the whipDulcimer sings. Take 1, Take 2 … Melodeon tries to make friends with the metronomeOboe’s hands and feet work faster, and faster … Timpani gets cabin fever … Harmony at last Hopefully Oboe remembers to press ‘record’We stop recording. Hurrah. Oboe mixes down the tracks. He goes crazy like mixed nuts. Mix + master = CDMelodeon digs out the pencils and airbrush. Hello cover art, goodbye sanity.All done! You can make up the rest
Life drawing
Leaning Girl — charcoal, eraser and graphite on tracing paper — digitised and animated for a pop up micro gallery at my universityOld Man, Leaning — ink on watercolour paper Bare Foot — charcoal and graphite on paper Old Man and Death — charcoal, graphite and eraser on paper — digitised and animated for a pop up micro gallery at my university
This is the end. (Of this page). Thank you for making it to this point!